I've long admired Judith Kitchen's poetry and criticism, and I'm deeply honored that she included Watershed in the final review she wrote for the Georgia Review. About Watershed, Kitchen writes: The concept of “flickering” becomes a guiding principle. Thinking about Malevich’s painting of the knife-grinder, Donnelly applies his theories of movement to all of life. Everything is in motion, even the still life that can be animated, a bit like a flip-book cartoon. Even the human